So I managed to get together a whole bunch of paint this week and make up some sample swatches. I photographed them together and next to two items from my collection that are from 'Aliens', and painted in 'Brown Bess'. Now of course every camera is different in terms of how it shows colours, as is every computer monitor or other display so the important thing indicated here is how these different paints look in comparison to one another, and to something from the film. To the naked eye the samples look VERY different to how they look in the photos.
As shown in the images the paints are:
1. Humbrol 170 Brown Bess - Original issue.
2. Humbrol 170 Brown Bess - Super Enamel.
3. Railmatch 402 'Frame Dirt' - the subject of the above posts.
4. A Brown Bess version that was purportedly made up by the same company that made the original paint for 'Aliens'. This was created and given to me about 10 years ago.
5. A colour match to Humbrol Brown Bess that was sold by AL Board member LDR a few years back.
The last two are just for fun as it were as they're not generally available, but I wanted to include them here anyway.
First off is a photo of everything:
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Next is each paint sample next to the Cargo Crate:
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And these are with a Ripley Data Disc:
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Now there are a few things to note here - mainly that it looks unlikely the paint used in the film was actual Humbrol 170, but rather a colour-matched version of it made by the Art Department, most likely cellulose. I think we all know that now of course.
That said I do remember many (many) years ago going through some Humbrol tins to compare them with the camera body on my original Drake headset. 170 looked spot on and I remember cautiously painting a very tiny bit of it onto a part-hidden area of the camera and it was a perfect match. Why the original (i.e. not Super Enamel) 170 that I have very slightly differs from the disc and crate in the above photographs is unknown. The headset is in storage so I can't access it easily at the moment but next time I do I'll carefully try this again!
One theory is that there could have been more than one 'batch' of the colour-matched version made during production (likely because some would have been in spray-cans for the smaller stuff and some in larger quantities for painting the bigger things like the APC and Dropship), and as the pigments would probably have been hand-mixed there could have been very slight discrepancies. Does the colour of the Humbrol enamel change very slightly in the tins over many years perhaps? Who knows really; I don't think we'll ever find out.
The differences are quite subtle between the originally released 170 (1) and the Super Enamel (2) versions. Unfortunately the Railmatch (3) has a little too much red(?) in it to be accurate, although when seen on it's own does look good.
I look forward to hearing what you all think!
Harry